Eat Out Stockholm!Judit & Bertil
Judit & Bertil
Judit och bertil bodde i hornstull under 30-talet.
Bertil, som varit glasblåsare från 8 års ålder träffade lantbrukardottern Judit vid en dans på skansen under trettiotalet.
Väggmålningen vid baren är målad av katarina mikek och föreställer bertil på äldre dagar när han startat eget och blåste glas till laboratorier.
Den stora pärlplattan är sammansatt av 98.881 (numera en mindre, ken damsög…) pärlor och gjord av sofia lindholm.
Deras sätt att vara och deras sociala värme personifierar den familjära, öppna och avslappnade stämning som vi genom lokalen, personalen och menyn vill skapa.
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Brisbane Events I Judith Wright Centre of Contemporary Arts | Judith ...
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We’re home to an exciting blend of cabaret, circus, dance, music and contemporary arts in Brisbane, right in the heart of Fortitude Valley’s creative district.
Named after the celebrated poet, our boutique arts venue has evolved to become affectionately known by artists and audiences as ’the Judy'.
We’re the base for nationally and internationally renowned arts companies such as Circa, Expressions Dance Company, Aboriginal Centre for the Performing Arts, Flying Arts Alliance and the Institute of Modern Art, as well as a number of creative industry tenants including Carbon Creative.
Our licensed spaces are highly flexible and as well as live performances can cater to everything from creative meetings of minds, film shoots and screenings, workshops and seminars, product launches, trade shows, arts festivals, awards nights, classes and conferences, all with the assistance of our highly professional events team.
Looking to experience some of Brisbane’s best performing arts for yourself?Find out about all of our upcoming shows and events, book tickets online and plan your visit to the Judith Wright Centre.
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Book Review - Portraits of a Marriage - By Sandor Marai - The New ...
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One of literature’s most seductive questions was asked by the Hungarian novelist Sandor Marai in “Embers,” his exquisite novel of friendship and betrayal, published in Budapest in 1942, but not translated into English until 2001, 12 years after his death.
The greatest human yearning, Marai suggests in his newly translated novel, “Portraits of a Marriage,” is to recover the sense of belonging and possibility that attaches to childhood, that ghostly sensation of how things felt when life was most promising: “simpler, but more mysterious and more important.”
The person who expresses this thought in “Portraits of a Marriage” is a punctilious, self-muting man named Peter, a “noble bourgeois” who has upended his privileged life by divorcing his “refined, cultivated” wife, Ilonka, and marrying a former family servant, Judit, to whom he had proposed when he was much younger.
Yet when Judit returns from a long stay abroad and Peter at last dares join her, he catches himself eyeing not the woman but her suitcases, with “monstrous satisfaction”: “I was happy because I had no need to feel embarrassed by Judit’s luggage.”
In their conjugal bed, Judit will leer at Peter with loathing, nearly gagging from the scent he exudes — the aroma of autumn haystacks, from the same imported room freshener she once tucked among the family’s linens when she was a housemaid.